THE VESAK FESTIVAL
(The following is an updated version of an article of mine first published in The Island newspaper on 17th May (the Vesak day) 2000)
The Vesak Full Moon Poya Day falls on the 27th of this month. Buddhists traditionally believe that Prince Siddhartha Gautama was born, attained Enlightenment (after which he came to be known as the Buddha) and finally passed away on a Vesak Full Moon Poya Day. The Vesak festival celebrates these three important events in the life of the Buddha. The Sinhala Buddhists attribute an additional significance to this day: they believe that the Parinibbana (Passing Away) of the Buddha and the arrival of Prince Vijaya, the legendary founder of the Sinhalese race, in the
The manner of celebrating this religious festival among the Sinhalese Buddhists, as befits its fivefold significance, is such that it provides an occasion for a host of religious and cultural activities. This makes Vesak a deeply felt experience for Sri Lankan Buddhists.
Whereas the Sinhala Aluth Avurudda is a secular festival celebrated with much feasting, fun and frolic, the Vesak is an occasion to be observed with religious devotion and sensual restraint. Devotional practices form the core of the Vesak ceremonies. The colourful cultural events constitute a kind of background to these.
In Sri Lanka, where every full moon day is a public holiday (being of importance to the Buddhists, the majority religious community in the island, on account of some historical event connected with the Buddhist faith in each case) the Vesak Full Moon Poya day is accorded the highest recognition amongst all full moon days. Like the Aluth Avurudda (April New Year) the Vesak Poya Day is marked with two public holidays.
The first of these is the Vesak Full Moon day which is devoted to religious observances like observing ‘sil’ (taking a personal vow to follow certain precepts in order to develop self discipline), meditation, listening to the Dhamma sermons, and giving alms, etc. These activities are usually conducted at Buddhist viharas. Since in the Buddhist faith there is little religious regimentation in terms of obligatory daily observances (the practice of religion being regarded as an individual responsibility dependent on understanding and volition), the elaborate, formal devotional programmes that are organized on the Vesak Full Moon day are in sharp contrast to the rather low key daily religious practices of the ordinary Buddhists. These programmes usually attract a large number of devotees and thus ensure massive popular participation.
Public worship in Buddhism plays only a secondary role. It is important insofar as it leads the followers of the teaching of the Buddha to autonomous pursuit of virtue, which is the essence of religious devotion for a Buddhist. There is no belief in a ‘saviour’ and hence no necessity to ‘pray’ to a higher power; they only pay their homage to the Triple Gem (Buddha, Dhamma, and Sangha), affirm their faith in them and commit themselves to the practice of the teaching.
An invariable part of the devotional performances is the offering of flowers, incense, and light to the Buddha. This is a symbolic act full of meaning to a Buddhist. The formulaic Pali stanza that the devotees utter as they offer flowers means: “I offer these flowers to the Buddha. By the merit earned thus, may I attain Emancipation from suffering! Just as these flowers will fade and die, so will my body decay, too”. Thus the act of offering flowers is accompanied by reflection on the condition of mutability, an inescapable characteristic of all existence, which is a central truth in the Buddhist teaching. The sweet scent of incense signifies the incomparable virtues of the Buddha, and light represents enlightenment that dispels the darkness of ignorance. In Buddhism wisdom takes precedence over faith.
“With Enlightenement Light arose! Wisdom arose!” so, what better way is there to worship the Buddha than to light lamps in His name on the Vesak night? The whole island is illuminated with Vesak lamps, which range from the humblest ‘meti pahan’ (clay lamps) to the most intricate electrically illuminated ‘Vesak lanterns’. The commonest form of Vesak lantern is the ‘bucket’, which is a bucket-shaped paper lamp with a candle stuck at its bottom.
Buckets are of different colours. These colours usually correspond to the colours of ‘Buddha rays’ – rays believed to emanate from the Buddha’s sacred person and form a halo. These are six in number: blue, yellow, red, white, crimson, and a mixture of all these colours. They form the circle of wisdom shown round the paintings and images of the Buddha in places of worship. They are also the colours of the Buddhist flag. Children take special delight in making Vesak lanterns following traditional as well as innovative new models. Myriads of these colourful lights can be seen on the Vesak nights. No Buddhist house is without some form of illumination to mark the Vesak. Even some non-Buddhists light lamps to express solidarity with their Buddhist neighbours and in appreciation of the message of peace and loving-kindness that the founder of Buddhism taught.
Among the thousands of Vesak illuminations that we can see are the ‘thoranas’ (arches, or ‘pandals’ as Sri Lankans call them in English), which are structures erected at such public places as markets and road junctions. They have facades on which are painted scenes from the Buddha’s life or pictures illustrating stories of religious significance. Often professional commentators describe in verse the scenes or stories depicted. On the Vesak nights thousands of sightseers move about the cities watching these ‘thoranas’. There used to be special ‘thorana service’ buses during the Vesak nights ferrying these sightseers around Colombo and the suburbs in the past before incidents of political violence disturbed the peace. (Let’s hope that those peaceful times are back for good!)
The Vesak ‘dansalas’ are another usual feature. These are temporary ‘alms centres’ which serve free food and drink as a charitable act to all those who wish to refresh themselves. The practice of giving is a cardinal virtue in Buddhism. It is connected with the idea of ‘renunciation’ – giving up worldly possessions in order to gradually eliminate ‘craving’, the root cause of being and suffering according to the Buddhist teaching.
Vesak greeting cards and carols are traditions borrowed from Christians. The exchange of Vesak cards is one way of sharing the joy of the season. The Vesak carol singers (due to another borrowed practice from Christians) are usually school children dressed in immaculate white; they go from place to place and sing the carols to the delight of the pious.
Thus the Vesak festival provides the opportunity for the Sri Lankan Buddhists to give creative expression to their religious and cultural ideals though a gamut of traditional activities. It is an important national event that reinvigorates their faith in their religion, and reaffirms their commitment to the principles of loving-kindness, peace and tolerance.
